No-Name Ancient Mahogany Uke

September 30, 2007

no name front and back 

Another Ebay treasure.

I think I lucked out on this one. This uke is in good structural shape overall. It looks like it hails from the 1920’s, but this might be wishful thinking. There are no markings, no clues that I can find to identify this uke. I’m a novice though, it’s probably some super-common factory-uke, but I don’t know. If anyone out there can identify this puppy…any help would be greatly appreciated.  

It arrived pretty much as it appears here. Before I took any pictures, I started soaking the old glue off the body where the bridge was attached. Its a bit cleaner in that area, but the otherwise the uke is as found.

no name side

I have been looking for a uke that is more or less “original” – original tuners, original finish etc. A uke that is as close to original as I can find. Most of the older ukes within in my price range on ebay are fairly sad looking.

It is made of paper-thin mahogany. It has the original tuning pegs. There is a dark seam strip on the end – I have no idea what wood this is made of, but its dark. The uke has an oddly off-center back-bow. You can sort of see what I am talking about in the first picture.

This uke is a petite 13″ scale. A lot smaller and more delicately made than any uke I have had before. I really like the shapely and graceful lines. It is several steps above most of the clodhopper ukes coming out of Asia at the moment. From my small experience bending uke sides, the deeper the bend, the more difficult the bending. This uke is very carefully made.

Repairs should be fairly easy (insert sound of knocking on wood here). Probably fabricate a new bridge – the chip out of the top plate was still firmly attached to the old bridge.  So that will be easy, I see one closed body crack on the back, one closed side crack, and a 1″ section of seam opening on the back. One brace is loose inside – fabricating a clamp for this spot will be harder than actually gluing the brace.

The hardest operation will be making a decent 12th fret. I think this size of brass fretwire is totally unavailable these days. I’ll either make it from sheet like a bar fret, or fool around with model railroad track that is about the same size.

No name 12th fret missing

The finish is decent (looks like it was refinished long ago). The scratches look like they can be rubbed out rather than slathering the uke in new varnish.

The bridge is puzzling – it seems as if it fell off at some point and was reglued with something like Duco cement (?? whatever it is, the stuff is still pliable and pops off the old hide-glue like it was stuck on wax-paper). It was probably at this point where some madman (or madwoman) attacked the top around the bridge with sand-paper. Pity they didnt manage to actually sand any of the old glue off – just scratched the heck out of the finish.   

 no name bridge area

So there is something funny going on here…either the bridge was reglued 1/4″ to 1/2″ too far back on the top? Or this is the wrong bridge. I see some evidence of the bridge being up about 1/8″ higher on the body than the most recent location, but not enough far enough to make sense of the measurements. I think that this uke lost its original bridge and had a replacement (the wrong replacement) botched onto it, by the mysterious sandpaper bandit.  

 no name bridge and pegs

The bridge that came with this uke has a built-in saddle. Dead-on 1/4″ tall. The string notches are tapered holes drilled into the end of the bridge then opened with saw cuts. I think I remember seeing this style on several different brands of older ukes.

The bridge is a good match to the uke in color and age, but I can’t make the measurements jibe. For this uke to be tuneable…this bridge would need to be placed on the top in a space where there is strong (original?) varnish.    

I have not finished puzzling-out this uke yet, but there seems to be no way I can think of that this is the right bridge for the uke. This bridge came with the “original” strings still attached. One gut and two nylon and one unaccounted for. Who knows?

no name replacement bridge

Last minute pic of some replacement bridges I am working on. All are from an old Honduras Mahogany scrap I had lying around. The bottom is not quite finished being shaped and is still raw mahogany. I treated the other two with dichromate to see if I can get a decent match with the color of the original wood. The center is the dichromate, the top has a single coat of dark seedlac over the dichromate. The color match looks good. Sorry about the dark shadows in the photo.

My Grandfather’s ID Button

September 30, 2007

id badge 

This is my grandfathers old employee id badge. The precursor to the barcoded, magnetic striped, RFID spiffyness that we use today to keep enemy agents or whathaveyou out of our workplaces.

The height of security technology – back then – appears to have been a Button Magic machine and a mugshot camera. Those were the days.

The tag is probably from the late 1940’s or early 1950’s. Possibly a wartime thing? My grandfather worked as a tool and die maker in Aurora IL for most of his life.

He was also a league bowler and member of the Elks? Moose? Whatever the club name, it was a social club with a Friday Fish-Fry and keg-beer. Thats the part that I really remember as a kid.

My father got his dad’s badge when he was cleaning out my grandfathers stuff after he passed. Supposedly my aunt gave away all my grandfathers bowling stuff. Half a century of jackets, shirts, trophies etc. –a closet full. 

The badge is still a great momento, and a lot more portable than a closet full of bowling trophies.

This is the smiliest picture I have of my grandfather. I think he liked his job. Maybe they took the ID photos on payday? Bottom line is that he looks a lot smilier in this badge than I remember him.

louis gaspar copy body 

I should probably append this to the previous post about building this ukulele, but I’m still not used to the way that Wordpress postings are displayed. My mind is still working in website mode rather than blog mode.

Anyway…if you have any interest in Louis A. Gaspar ukuleles or if you own a Louis A. Gaspar uke or just don’t have anything better to do,  take a quick look at my other postings. I made a category to contain all things Louis A. Gaspar – its all right there.

My Gapsar copy is finished…Finally. It came out pretty well. Not really a perfect copy of my original Gapsar uke, but it certainly captures the flavor of the Gaspar uke.

It is a nice loud uke and has good sustain.  It is actually quite a bit louder than any of the ukes that I have made before. Rings nicely – OK its a damn nice uke if I do say so myself. I am getting better at this.

I used Martin strings on this one. I usually don’t care for Martin strings. They are just too heavy for my taste. Especially the C string. Maybe the monster strings are real boomers? 

I am already working on another Gaspar pattern uke. The second will be either mahogany with dichromate stain – or not. Probably with a little more gingerbread than the true Gaspar. Hopefully this uke will go a little more smoothly. I think I can avoid most of the rookie screwups that made the prototype so time consuming.

The upcoming uke will be Spanish neck construction. I may build in a little back angle into the neck to help tighten up the action a bit. Again, not sure.

Meanwhile…check out the first three pics of my Louis A. Gaspar copy!

loius gaspar copy head

 

louis gaspar copy back